An excerpt from Dyske Suematsu:
Visual dominancy isnâ€™t the only problem. The bigger problem is the dominance of our thought. Most Americans do not know what to do with abstraction in general. To be able to fully appreciate abstraction, you must be able to turn off your thought, or at least be able to put your thought into the background. This is not as easy as it might seem. In modern art museums, most peopleâ€™s minds are dominated by thoughts like: â€œEven I could do this.â€ Or, â€œWhy is this in a museum?â€ Or, â€œThis looks like my bed sheet.â€ Etc.. They are unable to let the abstraction affect their emotions directly; their experience must be filtered through interpretations. In a way, this is a defense mechanism. It is a way to deal with fears like, â€œIf I admit that I donâ€™t understand this, Iâ€™ll look unsophisticated.â€ This type of fear fills their minds with noise, and they become unable to see, hear, or taste.
Continue reading the article at dyske.com
A new BBCÂ interview with Mick Jagger.
But I have a take on that â€“ people only made money out of records for a very, very small time. When The Rolling Stones started out, we didnâ€™t make any money out of records because record companies wouldnâ€™t pay you! They didnâ€™t pay anyone!
Then, there was a small period from 1970 to 1997, where people did get paid, and they got paid very handsomely and everyone made money. But now that period has gone.
So if you look at the history of recorded music from 1900 to now, there was a 25 year period where artists did very well, but the rest of the time they didnâ€™t.ï»¿
*Until recently it wasnâ€™t much more than some rumours on the web: a 1982 released LP called TEN RAGAS TO A DISCO BEAT containing Kraftwerk-like acid house music, years before the genre was invented. Â So it turns out, the record was no rumour. Only a few hundred copies of the LP were ever pressed, and only a handful seem to have survived. Moreover, the LP outdoes all expectations. Performed on the synths that would later define Acid House, the Roland TB-303 and TR-808, the album sounds light years ahead of its time with its repetitive beats and hypnotic electronic melodies. Its maker, Bollywood session musician Charanjit Singh, set out to translate ancient Indian classical Ragas to the modern synthesizer and in doing so seems to have invented House music along the way. The 10 tracks make a consistent listen from A to Z. Its restrained minimalism and lack of cheesiness makes it incredibly contemporary, sounding animated, fluid and unabashedly alive. bombay-connection.com
If you haven’t watched the DOJO yet, what are you waiting for? Get a glimpse into the 1st episode of Chicago’s myninjaplease inspired DVD Mag! Check it out!